[Book Review] Vampire Hunter D – Hideyuki Kikuchi (1983)

This was a proper nostalgia kick for me, since I used to swallow these books as a teen. For every flaw of Kikuchi's, there was something that had me falling in love with the series all over again. It's common for people to claim poor translation, and I really can't comment on that, but there... Continue Reading →

[Book Review] Frozen Hell – John W. Campbell Jr. (1938/2019)

Frozen Hell is the previously unpublished extended version of Campbell's influential novella, Who Goes There?, best known for inspiring film adaptations such as Hawks'/Nyby's The Thing from Another World and Carpenter's The Thing. The latter is notable for more accurately representing the shapeshifting nature of the creature, whereas the original 1951 film merely has the creature as a vegetable-based monster... Continue Reading →

Coming March 5th, 2023… John Carpenter’s “The Thing” from 1951!

"Arrow Parallel present, for the first time, John Carpenter's 'The Thing' from 1951. While some damage inevitably remains due to the nature of interdimensional travel, the content has been painstakingly restored and largely remains in excellent condition. Please enjoy this insight into an alternate history through what is, quite literally, "The Thing" from another world..."

ANNIHILATION || ИOITA⅃IHIИИA

A moderate edit that keeps the central themes intact but presents them in a less heavy-handed fashion. Some action sequences have been re-cut, FX shots tweaked, and bad/expository dialogue is kept to a minimum, with some scenes rescored to help create a more consistently ethereal atmosphere. Some tweaks for pacing have been made, but the nonlinear structure is retained. One flash forward is cut, another is incorporated as a voice-over, and most are trimmed. The lighthouse finale is left untouched. The 5.1 surround track is preserved and I have also put together an isolated score track.

The Haunting: The Psychological Cut

Building on ‘The Implicit Cut’ as a foundation, this new cut makes various changes in order to accommodate the possibility that ‘The Haunting’ is all in Eleanor’s mind. Changes include a new opening and ending, tweaked dialogue and a narrative structure that never leaves Eleanor’s side. This edit can be viewed both with or without internal monologue.

The Haunting: The Implicit Cut

The Haunting (1963), more or less as you remember it,  but with all internal monologue removed. The opening and closing narration is retained. Also featured is an alternate audio option with the internal monologue significantly trimmed.

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